- #How to use break apart from sure cuts a lot 3 pro skin#
- #How to use break apart from sure cuts a lot 3 pro iso#
Expose your skin tones correctly – For the love of God, don’t underexpose your skin tones.Also, keep in mind you always have HDRX available to you in extreme cases. If it’s not… do a better job with your lighting, or accept certain realities in post. Make sure everything you’re shooting is between the “goal posts”. While you can shoot at other ISOs, you shouldn’t unless you absolutely have to.
#How to use break apart from sure cuts a lot 3 pro iso#
Shoot at 800 ISO – The RED sensor is rated to be shot at this ISO.In fact, if you do the following, you’re pretty much guaranteed good results with your Scarlet/Epic/Dragon: While it provides greater flexibility than traditional codecs, You need to do certain things correctly and understand a couple things in order to get good results.įortunately, there isn’t all that much that you need to know. The truth is that shooting RAW is not a cure all. It defeats the whole purpose of shooting RAW. When it comes to RED, probably the worst thing you can do is try and dial your look in while you’re on set. Use the standard REDcolor/Gamma settings while you’re shooting as a baseline, and then tweak later in REDcine-X. If exposed and lit correctly, you should NEVER want/need a LUT when you hit the color room. You’re just going to go back to REDlogfilm when you hit the finish line anyway… or you should be using the controls in RCX to manipulate the RAW the way you want it AFTER YOU’VE SHOT IT. Also… I always like to save LUTs and looks when I shoot RED.” “The RED is a noisy camera… I’ve always got add noise reduction in post to my footage. The bottom line is that if you’ve ever heard your DP say the following words… show them this post: Unfortunately, this approach is counter intuitive to how the camera is designed to work, and doing things this way will often lead to a lot of finger pointing, anger, and inflated post budgets once the film hits the finishing stage. Mostly, this is because of a fear (often justified) that post will screw it up later if they don’t lock in their look now. It’s been my experience that a lot of DP’s try to capture their LOOK on set… and yet they’re shooting RAW. Mostly, it’s a public service to DP’s everywhere, many of whom seem to be confused by how all of this works. Sam here… we’re going to talk RED RAW today, because there’s no reason for this to be so hard and complicated.